How to Contact Margaret Atwood: Phone Number, Fanmail Address, Email Address, Whatsapp, House Address

Margaret Atwood: 8 Ways to Contact Her (Phone Number, Email, House address, Social media profiles)

Margaret Atwood: Ways to Contact or Text Margaret Atwood (Phone Number, Email, Fanmail address, Social profiles) in 2022- Are you looking for Margaret Atwood 2022 Contact details like her Phone number, Email Id, WhatsApp number, or Social media accounts information that you have reached on the perfect page.

Margaret Atwood Biography and Career:

Margaret Atwood is a famous Canadian author who has written a variety of works, some of which include poetry, novels, and literary criticism. Throughout the course of her career, she has been honored with a number of major honors, including the Booker Prize. In addition to her job as a writer, she is an inventor who has done research and development on technologies related to remote and robotic writing.

Margaret Atwood was born in Ottawa, which is located in the province of Ontario in Canada. Her father, Carl Atwood, was a forest entomologist, and her mother, Margaret Atwood, née Killam, was a former dietitian. She was their second and middle child. Because of her father’s work, she had somewhat of an unusual upbringing. She moved around a lot and spent a lot of time in rural areas because of his study. However, even when she was a youngster, Atwood’s hobbies already hinted at the path she would take later in life.

Atwood was a voracious reader even when she was a young child, despite the fact that she did not begin attending conventional schools until she was 12 years old. She read a broad range of material, including more conventional works of literature, as well as fairy tales, mysteries, and comic comics. At the same young age that she began reading, she also began writing, and by the time she was six, she had already drafted her first tales and plays for children. She received her diploma from Leaside High School in Leaside, which is located in Toronto, in the year 1957. After graduating from high school, she went on to study at the University of Toronto, where she was active in the school’s theatrical troupe in addition to contributing essays and poetry to the university’s literary magazine.

Atwood received her bachelor’s degree in English in 1961, along with two majors, one in philosophy and the other in French. She also graduated with honors. After this, she immediately went on to receive a scholarship and enroll in graduate school at Radcliffe College, which is the female counterpart to Harvard University, where she pursued her education in literary studies. She received her master’s degree in 1962 and started working on her doctorate with a dissertation titled The English Metaphysical Romance. However, she finally quit her studies after two years without completing her dissertation and went on to get her master’s degree.

After a few more years had passed, in 1968, Atwood tied the knot with an American author named Jim Polk. Their marriage did not result in any children, and it was only after five years, in 1973, that they decided to end it. However, not long after the termination of their marriage, she made the acquaintance of Graeme Gibson, a Canadian author like herself. They did not get married, but in 1976 they had their one and only child, Eleanor Atwood Gibson, and they remained together up until Gibson’s death in 2019.

Double Persephone, which was Atwood’s debut collection of poems, was released the same year, in 1961. The book was so well-received that it was awarded the E.J. Pratt Medal, which is named after one of the most significant Canadian poets of the contemporary age. Atwood devoted most of her efforts, both creatively and professionally, to her poetry throughout the early stages of her career.

Atwood kept writing poems and working in academics throughout the 1960s. Both of these pursuits were important to her. During the course of the decade, she worked as a professor at three different Canadian institutions, all of which were affiliated with the English departments. In 1964 and 1965, she started her career by working as a professor in English at the University of British Columbia in Vancouver. After that, she moved on to work as an English professor at Sir George Williams University in Montreal from 1967 to 1968. Her tenure there lasted two years. She finished the decade off by teaching at the University of Alberta in Alberta from 1969 to 1970.

Atwood’s teaching profession did not in the least hinder the amount of creative work she produced. The years 1965 and 1966 were particularly productive for her as she published three collections of poetry with smaller presses. These collections included Kaleidoscopes Baroque: a poem, Talismans for Children, and Speeches for Doctor Frankenstein, all of which were published by the Cranbrook Academy of Art. She released her second poetry book, titled The Circle Game, in 1966, in between two teaching posts that she had the same year. It was awarded that year’s poetry category of the coveted Governor General’s Literary Award. The Animals in That Country was her sixth collection, and it was published in 1968.

Atwood’s literary career began with her concentrating only on publishing poetry, which she accomplished with a great deal of success over the first ten years of her writing career. In 1969, however, she made a significant career change and published The Edible Woman, her first book. The satirical book focuses on a young woman’s increasing consciousness in a largely consumeristic and controlled society. It foreshadows many of the topics that Atwood would become renowned for in the next years and decades by focusing on this young woman’s development.

By 1971, Atwood had relocated to Toronto for employment, where she would spend the following two years teaching at various institutions. She began her academic career as a professor at York University during the 1971–1972 school year. The next school year, she accepted a position as a writer in residence at the University of Toronto and remained in that capacity until the spring of 1973. The posts she had at these Canadian colleges were going to be her final ones as a professor, even though she planned to remain in the classroom for many more years.

During the 1970s, Atwood released three of her most notable works, including Surfacing (1972), Lady Oracle (1976), and Life Before Man (1979). These three novels all continued developing the themes that had first appeared in The Edible Woman, establishing Atwood as an author who wrote thoughtfully about themes of gender, identity, and sexual politics, as well as how ideas of personal identity intersect with concepts of national identity, particularly in her native Canada. During this time period, Atwood’s personal life was going through a period of transition, which was difficult for her. In 1973, she got a divorce from her husband, and not long after that, she met Gibson, who would go on to become her companion for the rest of her life, and fell in love with him. The book Lady Oracle was released the same year that the couple’s daughter was born.

In addition, Atwood continued to write non-fiction works throughout this time period. Poetry, which was her primary concentration, was in no way relegated to the background. She was, on the contrary, much more productive in poetry than she was in fiction prose writing. She published a total of six collections of poetry over the course of a nine-year period, beginning in 1970 and ending in 1978: The Journals of Susanna Moodie (1970), Procedures for Underground (1970), Power Politics (1971), You Are Happy (1974), a collection of some of her earlier poems titled Selected Poems 1965–1975, and Two-Headed Poems (1978). She died in 1978. The year 1972 saw the publication of her first piece of non-fiction writing, a review of Canadian literature titled Survival: A Thematic Guide to Canadian Literature.

Atwood’s writing tends to steer clear of being classified as “hard” science fiction, despite the fact that her style has become more oriented toward speculative fiction, particularly in the latter stages of her career. Her primary interest is in speculating on the logical extensions of already available technology and investigating the influence that these developments will have on human civilization. Her writings cover a wide range of topics, some of which include genetic engineering, the testing, and modification of pharmaceuticals, corporate monopolies, and natural catastrophes caused by humans. These ideas are most prominently shown in the MaddAddam trilogy, but you may also find them in a number of other pieces of literature. Her worries about human advancements in technology and science also include an underlying worry regarding the ways in which the choices made by humans might have a detrimental effect on animal existence.

Atwood’s fascination with national identity, and more especially Canadian national identity, is reflected in some of the themes that she explores in her writing. She thinks that the notion of community and the struggle to survive in the face of a variety of adversaries, including other people and the environment, are integral to the formation of Canadian national identity. Although these concepts are most prevalent in her non-fiction works, such as an anthology of lectures she has given over the years and an overview of Canadian literature, they may also be found in some of her fictional works. Her exploration of how history and historical myth are fabricated is a common thread that runs through many of her works, and it is frequently connected to her concern with issues of national identity.

Margaret Atwood Profile-

1. Famous Name– Margaret Atwood
2. Birth Sign- Scorpio
3. Date of Birth– 18 November 1939
4. Birth Place– Ottawa, Canada
5. Age – 82 years (As 0f 2022)
6. Nickname– Margaret Atwood
7. Parents– Father: Carl Edmund Atwood, Mother: Margaret Dorothy Killam
8. Sibling– NA
9. Height– 1.63 m
10. Profession– Canadian Poet

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